Showing posts with label Kelley Naylor Wise. Show all posts
Showing posts with label Kelley Naylor Wise. Show all posts

Friday, February 28, 2014

Shoppe Talk's 20th Anniversary






20 Years in the Neighborhood 

     I have a great job.  It doesn't pay a lot of money, but there are perks. I get to spend time with some fine folks, learning about them and telling their stories.  I'm often told these little stories help their businesses.  This makes me feel good. Every job should have some warm and fuzzies.  I get to type on my computer at home in my PJs.  Get to make my own hours.  Take the day off if I find a new book that I must read RIGHT NOW.
    The little box on every Page 3 of Shoppe Talk states that I am the publisher. I am also the ad salesman, the writer, the lay-out gal, and the delivery person.  Before the days of color, I also printed ST for several years, but thankfully professional printer Gary Ward does that job now for my black and white.  So I was able to rid myself of my old AB Dick 360, a workhorse of a printer that came over on the Mayflower. 
    When I started ST, I bought a $70 waxer and borrowed a word processor from my friend Marvon Browning.  After 20 years, I still wax down the black and white pages, much to the amusement of friends and colleagues.  But, hey, they'll never experience that zen zone this Luddite process affords the waxer-upper.  But I have graduated from word processor to a Mac, so "I've got that going for me," as they say on Reddit. 
     In my first issue, March 1994, the main story was about Lady I's on Cantrell Road.  Over the years, I would write several stories about Ida Moose's unique little shop where she rented booth space for enterprising sellers of antiques, curios, clothing and junk.  That first issue had 22 ads in six pages - not a bad start, actually.  They were all centered around "the neighborhood," which was within a few blocks of my home in Foxcroft - 17 of the businesses on Cantrell Road.  It was great that my neighbors were so enthusiastic about my little ad rag, because I didn't have a working automobile and had to hoof it to sell my ads.
      Some of my first advertisers are still with me today.  Scallions is a good example:
    "Walking down the steps into Scallions' leafy courtyard in the spring is like visiting a good friend.  It's a warm, welcoming atmosphere.  You know your favorite dishes will always be on the menu. You leave, reluctantly, but with a smile. Scallions is more than just a great spot for lunch.  It is a restaurant where little girls eat chicken salad with the moms, and then order that same chicken salad for their wedding showers, baby showers and wedding anniversaries."  
      The restaurant's delightful owner, Rachael Crosby, is a friend and mah jongg buddy, and when we find time to play, she brings - the chicken salad. 
     From time to time, ST has veered into the area of news or opinion.  The first time was in the first year, fifth issue, when I reported on a meeting where Heights merchants were opposing the proposed closing of R Street so that Calvary Baptist Church could expand. One woman at the meeting, Pearl Bowen Pennington, said the church should "build up" by adding a balcony to its sanctuary.  "You'd be closer to heaven," ST quoted Ms. Pennington as saying.  But the Rev. Walter Draughon III nixed that idea, saying a balcony would create a communication problem and a "lack of warmth."  Dr. Draughon said, "We cannot go up, because there is only one way for us to go."  The wonderfully talented Charles Allbright noted the irony in the quote in a wry column in the Democrat-Gazette.  I was pleased, but a little puzzled, since I was persona non grata at the paper, where I had toiled for 10 years during the great newspaper war, got burned out, tried to start a union, was fired, and the paper fought my unemployment benefits - and it lost.  I shouldn't have been too pleased, because that was the last time ST was mentioned in the D-G to my knowledge. 
      In the area of opinion, I've written pieces against the Patriot Act, for gay rights, against development in the Lake Maumelle area, the inadvisability of Waste Management getting the curbside recycling contract, against poultry farm pollution of streams, and for doing away with the sales tax on food.
      In doing so, I've learned some things.  One thing is that Little Rock is a pretty gay-friendly city.  Feedback on issues such as gay marriage and gay adoption was pleasantly positive.  I only had a few complaints in the early days of running PFLAG endorsements.  I guess those folks stopped reading ST, and that's fine.
    It's very therapeutic to be able to blast off an editorial occasionally.  I wrote of the Patriot Act and Patriot Act II:  "These Machiavellian documents are bold grabs of power that strip away 200 years of rights guaranteed under the Constitution."  This rant was in the November 2003 issue, pre-Edward Snowden revelations.  Thank you, Mr. Snowden; may you get the Nobel Peace Prize. 
      Of course, most of ST's pages have been filled with stories about the keepers of small shops and locally owned restaurants.  Getting to tell their stories is a blessing. Their enthusiasm and innovation are inspiring.  Hard work, admirable.  And so many warm and funny tales of their experiences have shown me that it's true that everyone has a story in them. 
     Not all stories are about businesses.  One of my favorites was headlined "Something's Always Blooming in Mrs. Causey's Garden."  Margaret Causey once kept a beautiful garden at the corner of Cantrell and University.  She had strangers who'd been uplifted by the sight stop by to thank her, and, when they did, Margaret inevitably shared her plants with them. 
        If you're corny and you know it, clap your hands.  One thing that ST has cornered the market on over the years is corn.  My hubby, Jay King, calls this the "tie it up with a big red bow" effect.  It was an unfortunate phrase I used once and was never able to live down.  As a copy editor, when Jay's not pointing to an errant phrase in my copy and sneering "tie it up with a big red bow" to let me know my corn has run amok, he may be pointing  out "at ats." Although Jay has saved my butt, grammatically speaking, on countless occasions, this one got by us both. 
        An "at at" is ST argot for a typo.  An unfortunate typo in a headline on the top of the front page read:
Warren Criswell at
at Cantrell Gallery.
        It may look bad here, but, believe me, it looked worse in 42 point type.
        So we strain to cut down on "at ats."  This is where my friend Karen Proetz comes in. 
        Ms. Proetz is a primo copy editor.  Excellent.  Top drawer.  And, she does this for free, just to make ST a better publication and to save her friend from embarrassment.
        If you ever see an "at at" in ST, it's because I did not have time to run the story by Karen.  With our crazy color deadlines, sometimes I am literally writing stories minutes before they are sent to the color printer.
       That brings me to the lovely Kelley Naylor Wise, whose computer skills have brought me into the wonderful world of color.
      As early as the first year, ST was using color - one color that is.  For $5 for a small ad or $10 for a large one, an advertiser could add one color - typically red.
      Now, the ST front page is a color spectacular, an ocular orgasmic display, thanks to Mrs. Wise. 
      A happy happenstance brought this about.  I was talking with Eric Coleman, owner of Hillcrest Designer Jewelry, telling him how I wanted to get into color, but did not have the computer skills.  A few years before I had tried selling color ads first, and then figured I'd find someone to put them on the page when color advertisers thronged to ST.  Unfortunately no one beat down the ST door or even opened their own a crack to let us get a technicolor toe in.  (Sometimes a "tie it up with a big red bow"  does get by Jay.)
      Kelley, who was working with Mr. Coleman that  day in the shop, said she knew all about using Photoshop, and she'd love to bring ST into the 21st century.
      And Eric, bless his heart, volunteered that he'd be happy to place color ads with me.  
      Voila.  We have six color pages now and hope to grow.
      Another innovation was "This Is Arkansas," a blog I started in 2009 to put ST stories on line. I spend an inordinate amount of time playing with the stats counter, just thrilled silly with the number of folks who read the blog.
      One thing that has changed over the years, and maybe not for the better, is that ST no longer delivers door to door. 
       I really miss the kids who delivered for me.  They ranged from ages 8 to 18 and were a joy to work with. They delivered door to door in the Heights, Hillcrest, Pleasant Valley, Foxcroft and Robinwood. This was before our circulation area expanded to downtown, down Highway 10, Maumelle and other environs.
       Most of the kids lived in the areas they delivered, so their neighbors knew them.  They were dependable and enthusiastically walked the hilly areas where I could not deliver. (I worked level streets in the Heights and Hillcrest - preferably in the spring to satisfy my flower jones.)
      Perhaps my favorite delivery boy was a wee lad who covered Robinwood, his home turf.  Each time he finished, he'd call me and say simply and forcefully, "I want my money." 
      Ah, if we adults could only be so straightforward.  
      Thank you ST readers.
      And thanks to my advertisers, without whom I would not be still enjoying putting out this little pub.
                                                      Bobbi 


Tuesday, April 2, 2013


Fantastic Jewelry Show by Belgian Artist Steph Brouwers at Gallery 360 April 5



Stone, thread, fine silver wire, old piece of silver from Syria on leather cord










         Gallery 360 is proud to announce "Inner Voices: Wearable Art," a jewelry show April 5 featuring the work of the enormously talented Belgian artist Steph Brouwers.  A reception will be held 6 - 10 p.m.  It is free and open to the public. 

      Ms. Brouwers carefully selects leather, bone, glass, found objects, ancient coins, her own hand-made beads and talismans, African glass beads, animal teeth, fabrics, ostrich egg shells, horsehair, thread, turquoise, amber, and other materials for her jewelry.  Her pieces reflect her humor, intelligence and love of craft.




     Steph is also a sculptor, and she teaches art in Belgium.  She will have artist trading cards from some of her students available for trade at the show.

    Steph will teaching a class on Polymer Clay Talisman 2 - 5 p.m. April 6 at the gallery.  The goal of the workshop will be to create a small amulet or talisman.  She will discuss amulets and talismans.  "We will discover the amazing world of folk beliefs," Steph said.  "Then we will get familiar with the polymer clay and see what an incredible medium it is.  And then we create." Clay and tools will be provided.  She suggested that students bring things  such as ear wires, jump rings, clasps, cotton cord or broken jewelry.  The cost of the class is $35.









    The gallery will be showing the work of Angela Davis Johnson, Byron Werner, Kelley Naylor Wise, and Lynn Frost, as well.  The show will continue until May 4.

    Gallery 360 is located at 900 South Rodney Parham. For more information, call 663-2222 or 993-0012.  Steph's wearable art may be found on Pinterest, on Vladthebatsattic.blogspot.com, and Etsy.

 Steph and Mrs. Wise will appear on Fox television's Good Day program
with host Nichelle Sullivan 7:45 a.m. April 5. 
     









Steph Brouwers Profile 

      When did you first know you were an artist?  I don't see myself as an artist.  I see myself as someone who makes stuff.  I've always been playing, creating.  As a child, I was attracted to my mom's jewelry box and my dad's tool box. Then I got the chance to study at the Fine Arts School.  A lot of people call me an artist.  That's strange to me.  I could not go without doing what I do.  It is a need. 

       What do you like about teaching?  The ability to share my knowledge.  I give them a lot, but they give me a lot too.  I like interacting with teenagers.  I think they are fun.  They are not kids any more and not quite adult, and I quite like that.  I am teaching them sculpture.  It's part of the process.  But my main goal is to make them creative adults, even if they don't pursue a career in art. 

      How many times have you been to the States?  This is the fifth time.  I like the States.  I like the people.  They are friendly and interesting and generous.  I never felt bad.  I never felt judged.  A lot of people in Europe think most Americans are narrow-minded, and I think it is quite the opposite.

      What is a typical day?  I get up and have breakfast, and I go running. And then I go to my studio and play with my supplies.  Sometimes I have an idea about what I want to make.  Sometimes just looking at the beads I have, the idea just pops in. 

      What inspires you?  Ethnic jewelry.  What people call Tribal Art, like African art and art from Papua New Guinea.  And life and death.  That's something you can find a lot in my jewelry.  I think if you ignore one, you are ignoring the other.  They are both part of the path.  And I am interested in talismans and amulets and folk beliefs.

      Who is your favorite writer?  That's a tough one.  I like a lot of American writers from the 20th Century … Pat Conroy, Raymond Carver, Dos Passos.  I like French writers from the early 20th Century.  I like history about the United States and the Civil War and slavery.  I like Giono. And Gabriel Garcia Marquez. I liked his "Love in the Time of Cholera" and "Chronicle of a Death Foretold."  I like Borges. It's always an adventure to open a book. 

      I just finished John Irving's "The Hotel New Hampshire," and it's on my mind.  Do you like Irving?  Yes, I liked "A Prayer for Owen Meany" and "The Cider House Rules" and "The World According to Garp."  I also like Stephen King. I love books.  I've got lots of books, and I give them away too.  I have a great pile of books here I need to read, and I keep buying books.  When I went to study abroad in England during the last year of university, I spent my time in the library rather than going to class.  I read all of Orwell, Isaac Bashevis Singer, Dos Passos. I read a great Charlie Chaplin autobiography.  

       Tell us about the work you are bringing for your show.  It's quite eclectic, I think.  Some pieces are tribal, some have found objects in them, some are quite romantic.  They are for every means.  Some pieces are quite affordable.  The prices range from $20 to $250. Last summer, before I started running, I took walks.  And I would pick up things like rock and pieces of metal.  I make swaps with people all over the world.  That's something I really like about the Internet.  And recently, I've sold quite a lot of pieces all over the world and a lot of different states in the United States.  It's amazing.  I am in Belgium, and people so far away can be interested in my stuff.  I know I could do more to try to sell more.  But it would be less time for creativity.  I'd rather take time to make a necklace than to take time to promote my work.

Interview by Bobbi Nesbitt